“At the end, the patrons, who victimised the devadasis, got off scot-free. Sabhas or concerts were funded by the same upper caste men who engaged with devadasis. But their reputation was intact,” Pillai explained. After the devadasi community was pushed to the margin and they stopped getting as many opportunities, many upper-caste women entered the dancing community. https://social.systemreboot.net/url/88886