I've fallen down a rabbit hole of works in the Japanese public domain.
this is a real weird rabbit hole because it's a Big lot of works by a bunch of people with whom I am mostly not familiar (and a couple who's works I know pretty well), mostly untranslated (because the translations would still be under copyright), and almost all from pre-1954.
Which, of course, means that I'm also contending with the history of imperial Japan in the lead up to, during, and in the aftermath of the second world war.
It was directed by Mizoguchi Kenji at the direction of the government, who wanted something patriotic to raise morale, and instead got something weirder and more challenging, and it's ultimately a a flawed but compelling film.
But it's also a product commissioned by the government of Japan during WWII.
It was originally 135 square miles, but the George Vanderbilt died and the US government started collecting income tax and his wife sold many miles to the US government which turned it in to the Pisgah national forest.
It's beautiful. Some of the best views of the Appalachian mountains I've ever seen. Magnificent gardens. An astounding collection of art and prints and furniture.
The tour was more than an hour long and barely covered even 1/4th of the house, much less the rest of the grounds.
It was also just propaganda. The estate is still privately held. They charge $100/head for entry. There were at least 500 people in the main grounds, but likely many many more.
I've been thinking about The Internet and The Economy over the last 50 years and I keep coming up against this idea that makes me want to scream.
Our entire economic system is built around this idea that a small, sustainable, profitable business is worthless, and that only a MASSIVE INTERDEPENDENT BEHEMOTH that grows larger with each passing quarter is acceptable.
Netflix can't ever lose any customers, ever, because they are operating at a scale where their debts are ridiculously high, and the only thing keeping them afloat is the fact that they show Growth quarter over quarter over quarter.
Filmation's in house assets, including Ghost Busters, were sold to Halmark in the 90s.
Halmark media was purchased by Entertainment rights who was purchased by Boomerang media, later renamed Classic media, later acquired by Dreamworks and renamed Dreamworks classics.
Ultimately, dreamworks was acquired by Universal, who now own 100% of the rights to Ghostbusters, and are unlikely to sell them or anything else, because they're a monstrous megacorp.
I should do this research for more old media properties, but I imagine the answer is going to be the same most of the time.
In 1970, Hunter S Thompson ran for Sheriff of Aspen, Colorado.
He was convinced, and I believe rightly so, that the only way Change was going to come to this country was through local and municipal action ahead of national action.
He ran one of the stranger campaigns that has ever been run, and almost lost his life for it.
Freak Power, The Ballot or the Bomb details the last time Hunter S Thompson had hope.
Trying to reshape the future of television.I write and build stuff. Est. 1990. (He, Him, Etc.)http://andrewroach.netOriginal posts CC-BY-SA 4.0 - Share them, but link to the original.